Art in theory, 1648-1815 : an anthology of changing ideas
2000
Books, Manuscripts
Art in Theory provides a wide-ranging and comprehensive collection of documents on the theory of art. They situate the ideas of the period in their historical context, while relating theoretical concerns to developments in the practice of art.Art in Theory (1648-1815) provides a wide-ranging and comprehensive collection of documents on the theory of art from the founding of the French Academy until the end of the Napoleonic Wars. Like its highly successful companion volumes, Art in Theory (1815-1900) and Art in Theory (1900-1990), its' primary aim is to provide students and teachers with the documentary material for informed and up-to-date study. Its' 240 texts, clear principles of organization and considerable editorial content offer a vivid and indispensable introduction to the art of the early modern period. Harrison, Wood and Gaiger have collected writing by artists, critics, philosophers, literary figures and administrators of the arts, some reprinted in their entirety, others excerpted from longer works. A wealth of material from French, German, Italian, Spanish, Dutch and Latin sources is also provided, including many new translations. Among the major themes treated are early arguments over the relative merits of ancient and modern art, debates between the advocates of form and color, the beginnings of modern art criticism in reviews of the Salon, art and politics during the French Revolution, the rise of landscape painting, and the artistic theories of Romanticism and Neo-classicism. Each section is prefaced by an essay that situates the ideas of the period in their historical context, while relating theoretical concerns and debates to developments in the practice of art. Each individual text is also accompanied by a short introduction. An extensive bibliography and full index are provided. For more details of our book and journal list in Art, visit http://www.blackwellpublishing.com/arttheory Art in Theory (1648-1815) provides a wide-ranging and comprehensive collection of documents on the theory of art from the founding of the French Academy until the end of the Napoleonic Wars. Like its highly successful companion volumes, Art in Theory (1815-1900) and Art in Theory (1900-1990), its' primary aim is to provide students and teachers with the documentary material for informed and up-to-date study. Its' 240 texts, clear principles of organization and considerable editorial content offer a vivid and indispensable introduction to the art of the early modern period. Harrison, Wood and Gaiger have collected writing by artists, critics, philosophers, literary figures and administrators of the arts, some reprinted in their entirety, others excerpted from longer works. A wealth of material from French, German, Italian, Spanish, Dutch and Latin sources is also provided, including many new translations. Among the major themes treated are early arguments over the relative merits of ancient and modern art, debates between the advocates of form and color, the beginnings of modern art criticism in reviews of the Salon, art and politics during the French Revolution, the rise of landscape painting, and the artistic theories of Romanticism and Neo-classicism. Each section is prefaced by an essay that situates the ideas of the period in their historical context, while relating theoretical concerns and debates to developments in the practice of art. Each individual text is also accompanied by a short introduction. An extensive bibliography and full index are provided. For more details of our book and journal list in Art, visit http://www.blackwellpublishing.com/arttheory
Main title:
Art in theory, 1648-1815 : an anthology of changing ideas / edited by Charles Harrison, Paul Wood and Jason Gaiger.
Imprint:
Oxford : Blackwell, 2000.
Collation:
xxii, 1220p. : ill. ; 23 cm.
Notes:
Includes bibliographical references (p. 1180-1193) and index.
Contents:
Acknowledgements. A Note on the Presentation and Editing of Texts. General Introduction. Part I: Establishing the Place of Art:. Introduction. Part II: The Profession of Art:. Introduction. Part III: Judgement and the Public Sphere:. Introduction. Part IV: A Public Discourse:. Introduction. Part V: Nature and Human Nature:. Introduction. Part VI: Romanticism:. Introduction. Part VII: Observation and Tradition:. Introduction. Bibliography. Copyright Acknowledgements. Index.
ISBN:
9780631200642 (pbk)
Dewey class:
709.04
LC class:
N6420
Language:
English
Subject:
BRN:
2066670
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